This blues class is presented with a wonderful film that set against it's historical context showcases Robert Johnson's voice and guitar playing talent as well as the social and political realities that produced it. In the first three decades of the 20th century there was a huge Black migration into the cities of the North and Midwest. Fueled by wartime jobs and the possibility of a better life without overt Jim Crow laws and decent wages, the city of Chicago blossomed with youthful energy and thousands of migrants. As Johnson sang, "Come on, Baby don't you wanna go...?
I'm sitting there in a hospital gown, waiting for my doctor to complete my yearly physical. This is when I look at everything on the walls, read the medical posters, the instructions on any equipment in the room, look in every corner and behind every chair. I study the paper on the examination table, laugh out loud at the picture of a smiling child holding a bouquet of broccoli, and the note the placement of the computer in the room. Finally, wondering if the gown I'm wearing is on correctly, I focus on myself. At this point in my life I'm fairly comfortable in a doctor's office. But it always seems to take so long when waiting for the doc to enter. So I fidget. Then I begin a tour of myself. Scars are tattoos. I look at the one on my knee and see myself at 12. Whittling a piece of wood with my Boy Scout jack knife. The blade slips and I cut a crescent slash through my jeans and into my flesh for life. 50 years later ...
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