This blues class is presented with a wonderful film that set against it's historical context showcases Robert Johnson's voice and guitar playing talent as well as the social and political realities that produced it. In the first three decades of the 20th century there was a huge Black migration into the cities of the North and Midwest. Fueled by wartime jobs and the possibility of a better life without overt Jim Crow laws and decent wages, the city of Chicago blossomed with youthful energy and thousands of migrants. As Johnson sang, "Come on, Baby don't you wanna go...?
I want to tell you about something. Something I've carried inside myself for a number of years now. Perhaps if I were a different kind of person I wouldn't need to talk about it. I'm not. My need to tell it is stronger than your need to hear it. Because, however, there are a number of teachers and former students of mine who may read these meanderings from time to time, I need to tell this story all the more. About 7 or 8 years ago I was asked if I would allow a university PhD. candidate to observe an English class. At first I decided against it because I was scheduled to have a student teacher placed with me the second half of the semester in question. After some urging, however, at the request of a respected colleague, I agreed. Soon I was committing to extra meetings, signing documents and explaining to the class in question who the young woman who thoughtfully pounded away on a laptop in the rear of the classroom three times a week was. I knew that the topic of ...
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